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UGC or produced: pick by job, not by fashion

The whole category moved to UGC because it was cheap and it worked. That is precisely what makes produced work valuable again in specific places.

This piece is now part of a longer guide: UGC ads for performance: the complete guide.

Both formats work. They work at different jobs, and most accounts run whichever one is currently fashionable rather than whichever one the job needs.

What UGC is actually good at

Believability, speed, and volume. Someone who seems to genuinely use the product, saying something specific, at a cost that lets you make thirty of them. For testing hypotheses about message, it is unbeatable.

What produced work is good at

Standing out in a feed that is now entirely UGC, and carrying categories where cheapness reads as risk. If the purchase is expensive, medical, or trust-dependent, phone-camera production is a signal, and not a good one.

UGC Produced
Best for Testing message at volume Differentiation, trust, launches
Cost per asset Low High
Assets per shoot Many Few
Fails when The category needs authority You need thirty by Friday

The portfolio answer

Most accounts should run mostly UGC and a little produced, and most accounts currently run all UGC. The mix is the decision. Running one exclusively is how a library becomes invisible in a feed where everyone made the same choice.

The thing both formats share

Neither survives a destination that changes the subject. A believable creator explaining exactly why the product suits you, landing on a product grid, is a wasted performance regardless of how it was shot.

Questions people ask

Is AI-generated UGC a third category? It sits inside UGC as a production method, and it is strong for single-speaker monologue and weak for hands, products and anything that must be believed as testimony.

Does produced work still need volume? Less, and it still needs more than one. One expensive asset is a bet, not a test.

Keep reading

All thinking

Let's open the logbook.

Name three rivals. We'll send back a read of your live ads against theirs: what you all say, who's on screen, and what's lasting.

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